All Of Creation Is Moving Light....

All Of Creation Is Moving Light
 

Introduction 

Sacred Geometry is the blueprint of Creation and the genesis of all form. It is an ancient science that explores and explains the energy patterns that create and unify all things and reveals the precise way that the energy of Creation organizes itself. On every scale, every natural pattern of growth or movement conforms inevitably to one or more geometric shapes.

As you enter the world of Sacred Geometry you begin to see as never before the wonderfully patterned beauty of Creation.  The molecules of our DNA, the cornea of our eye, snow flakes, pine cones, flower petals, diamond crystals, the branching of trees, a nautilus shell, the star we spin around, the galaxy we spiral within, the air we breathe, and all life forms as we know them emerge out of timeless geometric codes. Viewing and contemplating these codes allow us to gaze directly at the lines on the face of deep wisdom and offers up a glimpse into the inner workings of the Universal Mind and the Universe itself.

The ancients believed that the experience of Sacred Geometry was essential to the education of the soul. They knew that these patterns and codes were symbolic of our own inner realm and the subtle structure of awareness. To them the “sacred” had particular significance involving consciousness and the profound mystery of awareness ….. the ultimate sacred wonder. Sacred Geometry takes on another whole level of significance when grounded in the experience of self-awareness.

The Platonic Solids

                   

                              

As far back as Greek Mystery schools 2500 years ago, we as a species were taught that there are five perfect 3-dimensional forms -The tetrahedron, hexahedron, octahedron, dodecahedron, and icosahedron. Collectively these are known as The Platonic Solids -- and are the foundation of everything in the physical world. Modern scholars ridiculed this idea until the 1980's, when Professor Robert Moon at the University of Chicago demonstrated that the entire Periodic Table of Elements -- literally everything in the physical world -- is based on these same five forms! In fact, throughout modern Physics, Chemistry, and Biology, the sacred geometric patterns of creation are being rediscovered, but often without the greater context of spiritual understanding which protects against their misuse. One of our intentions with lightSource, is to provide a bridge to an intuitive spiritual understanding that is in alignment with the appropriate use of this knowledge.

Sacred Geometry  
Geometric shapes actually represent the manifest stages of 'becoming'. To see and work with unity and wholeness in geometry can help abolish our false notion of separateness from nature and from each other. Through Sacred Geometry we can discover the inherent proportion, balance and harmony that exists in any situation, all manifest reality and even the circumstances of our day-to-day life.

It was Marcel Proust who said, “ The real voyage of discovery consists not in seeking new lands but seeing with new eyes.” 

The Energy in Action

Leonardo Fibonacci was an Italian mathematician who introduced to Europe and popularized the Hindu-Arabic number system (also called the decimal system). He contributed greatly to number theory, and during his life published many important texts. He is also known for the Fibonacci Series, a numerical series found frequently in the natural world.

The Fibonacci sequence is generated by adding the previous two numbers in the list together to form the next and so on and so on.(1, 1, 2, 3, 5, 8, 13, 21, 34, 55...). Divide any number in the Fibonacci sequence by the one before it, for example 55/34, or 21/13, and the answer is always close to 1.61803. This is known as the Golden Ratio.
 

One of the most profound and significant activities encompassed within sacred geometry and lightSource is the 'Golden Mean Spiral', derived by using the 'Golden Ratio'.

The Golden Mean was used in the design of sacred buildings in ancient architecture to produce spiritual energy that facilitated connectivity with spiritual realms through prayer. Our reality is very structured, and indeed Life is even more structured. This is reflected though Nature in the form of geometry. Geometry is the very basis of our reality, and hence we live in a coherent world governed by unseen laws.  These are always manifested in our world.  The Golden Mean governs the proportion of our world and it can be found even in the most seemingly proportion-less (active) living forms.

Clear examples of Sacred Geometry (and Golden Mean geometry) in Nature and matter:

All types of crystals, natural and cultured.  

The hexagonal geometry of snowflakes.

Creatures exhibiting logarithmic spiral patterns: e.g. snails and various shell fish.

Birds and flying insects, exhibiting clear Golden Mean proportions in bodies & wings.

The way in which lightning forms branches.

The way in which rivers branch.

The geometric molecular and atomic patterns that all solid metals exhibit.

The way in which a tree spans out so that all its branches receive sunlight

Another, perhaps less obvious but most significant example of this special ratio can be found in Deoxyribonucleic Acid (DNA) - the foundation and guiding mechanism of all living organisms.

Click this picture of the Sri Yantra to see how it is it created :)

The understanding of geometry as an underlying part of our existence is nothing new, and in fact the Golden Mean and other forms of geometry can be seen imbedded in many of the ancient monuments that still exist today.  The Great Pyramid (the oldest of these structures) at Giza is a good example of this. The height of this pyramid is inPhi ratio (e.g. the Golden Mean Ratio) to its base. In fact, the geometry in this particular structure is far more accurate than that found in any of today's modern buildings.

This explains why popular among spiritually significant shapes are pyramids and hemispheres (e.g. the domes, that are the basis of religious buildings, be it a mosque, a church or a synagogue).  These particular shapes are energy emitters; they are shapes that produce a type of penetrating carrier wave which Chaumery and De Belizal named negative green (which acts as carrier-like radio waves that carry sound information). The vibrational quality of the Golden Mean gives it very strong communication properties, which facilitate resonance with higher realms in prayer.

We live in the 3rd dimension, or the 'Plane of Manifestation'. The Golden Mean is an intra-dimensional doorway though which matter emerges into manifest 3-D reality. For example, when a star is born it follows specific number sequences or universal rules, the same rules of life in the expansion process. Then we see the light!

Thus the Golden Mean is the "fingerprint" of creation. When we re-create this moving and always expanding sequence, we have in effect - 'the exact movement of creation  in the expansion process'.  When lightSource is playing, one is encountering and literally being bathed in this 'Golden Ratio' creation activity...undeniably one of the most harmonious, balancing experiences one can interact with.

The Magic of Geometry
Bio-Geometry is a science that deals with the effect of geometrical shapes on life functions and the design of shapes that interact with earth's energy fields, to produce special pre-calculated effects on biological systems.

It was developed by Dr lbraham F. Karim D.Sc. in Cairo, Egypt, who has been conducting research in these disciplines since 1968.  The tools necessary for the measurement of the energy of geometrical shapes are based on the science of Microvibrational Physics, or Physical Radiesthesia, as it was named by the French radiesthesists, Chaumery and De Belizal around the years 1930-1940, (and later developed by Dr. Karim). 

Research in Bio-Geometry was, and still is, mainly dedicated to the development of a new form of architecture that would enhance the human biological system and give a new meaning to the concept of Home.

To upgrade the energy quality of existing homes so as to cancel the potentially harmful effects of unchecked energy fields due to the architectural design, furniture layout, electrical wiring and modem appliances, specially designed decorative elements are strategically placed to neutralize negative energy and add a positive quality to it.

Bio-Geometrical shapes, when designed or engraved on jewelry, have shown positive effects on the body's energy field, and reduce the potential health hazards caused by cellular phones, computers and other modern appliances.

In many ways the science and metaphysical discipline of Bio-Geometry provides one of the underpinnings to support what many know today as Feng Shui.

Higher Harmonics Within The Golden Mean: 
The Magic of Geometry and Color
The understanding of geometry as an underlying part of our existence is nothing new and in fact, the Golden Mean and other forms of geometry can be seen imbedded in many of the ancient monuments that still exist today. The Great Pyramid at Giza (the oldest of these structures) is an example of this. The height of this pyramid is in Phiratio to its base. In fact, the geometry in this particular structure is far more accurate than any found in today's modern buildings.

These particular shapes are energy emitters; they are shapes that produce a type of penetrating carrier wave which Chaumery and De Belizal named 'negative green',which acts as carrier-like radio waves that carry sound information. The vibrational quality of the negative green gives it very strong communication properties, which facilitate resonance with higher realms in prayer. This explains why popular among spiritually significant shapes are pyramids and hemispheres (e.g. the domes, that are the basis of religious buildings, be it a mosque, a church or a synagogue). 

A revival of the ancient design criteria, or canons, in moderm architecture was attempted by the Swiss pioneer of the modem architecture Le Corbusier, with his "modular" system which comprised two scales of dimensions based on the Golden Ratio.  The Russian researcher, Scariatin, who wrote under the pseudonym of Enel and published his first books on radiesthesia in Egypt in the forties, was the first to discover that one aspect of the negative green vibrational quality was an integral part of spiritual energy fields and increased with the spiritual evolution of the person.

Inspired by Scariatin's work, Dr. lbraham F. Karim has done extensive research and found that Bio-Geometrical shapes have three primary vibrational qualities: (1) negative green, (2) a higher harmonic of ultra-violet, and (3) a higher harmonic of gold.  Only shapes which produce energy fields with all three components are Bio-Geometrical.

lightSource produces and emits all three components:  negative green,  a higher harmonic of ultra-violet, and a higher harmonic of gold.

Negative green turned out to have other properties, however, which make itpotentially very harmful under certain circumstances of continuous exposure.  Dr. Karim has done considerable research into this type of energy, and the different components have been identified. The most important component in spiritual energy fields is a specific type of the negative green. (This is a vibrational quality that is in resonance with the grey between white and black).  It is at the core of all energy centres in the body and power spots in nature.  Pyramids and hemispheres produce this vibration along their central axis.  In spiritual energy fields, however, only the horizontal component of this energy is found. The vertical component, which is the harmful part of this energy, is cancelled.

Within all the 13 sacred shapes of lightSource, only the horizontal component of negative green is present when the shapes are active.

The second component is a higher harmonic of ultraviolet, an invisible light that is the environment of angels and other light beings.  It is a very purifying and relaxing vibration, which balances overactive organ functions and has a calming effect on the nervous system.

The higher harmonic of ultraviolet is present in all 13 shapes of lightSourcewhen the shapes are active.

The third component is a higher harmonic of gold, which, although on a much higher vibrational plane, is in resonance with physical gold (it is depicted by the halos around the heads of saints). It enhances wisdom and prosperity in a broad sense.  On the physical level, it has an energising effect that balances the body's immune system.

The higher harmonic of gold is present in all 13 shapes of lightSource when the shapes are active.

(For more information on Bio-Geometry, please visit their website.)

The Final Element …You!
You are the unexpected magical element –the creative alchemist, mixing geometries, palettes and sound with the surprising and ever revealing artistry of your own consciousness.  By trusting the “hidden reserves” of your own mind, emotions and soul to creatively guide your experience here, you will receive that which is uniquely appropriate for you at any given time. 

Applications of lightSource

• Catalyst for creativity in any medium. One that evokes an unlimited array of dynamic interactions in the realm of movement, color, shape and sound.
• Balancing your environment  Many anecdotal reports indicate that there is a feeing of more balanced energies within the environment when lightSource is playing
• Kinetic art displayed on an interactive canvas to esthetically enliven our techno environments.
• De-Stressing Tool   When used as a simple meditation tool, lightSource can lower stress within the viewer within minutes of encountering the program
• Engaging screensaver that channels the pulse of Creation to enhance the energy and tone of any environment. 
• Multi sensory explorations of the origins of manifest reality.
• Shifting your personal frequency to create the reality you desire.
• Vehicle for the kinesthetic experience of sound, music, pattern and color.
• Transformational tool, for meditation offering a bridge by which the mind can achieve its highest level in the realm of pure Intelligence.

Meditation and the Use of Breath
Meditation is a skill that has been practiced since ancient times. It involves therelaxation of your body, mind, and emotions as a way to free your consciousness for clear, concentrated focus on whatever you choose.

Although most approaches to meditation are done with the eyes closed and a quiet environment, it is also useful to employ both sight and sound in order to achieve specific purposes, such as deep experiencing of sacred geometric forms.  The thirteenth form, Sri Yantra, has been used for centuries in this way, with the meditator chanting the sacred syllable OM while gazing steadily at the form.  

Demonstration: The Power of “Breathing Through” in Meditation
As a way to demonstrate the power of meditatively using the breath, here is an experiment for you to try: 

1.   Hold both hands up in front of you and quietly feel both of them.  Do they feel much the same, or different?  (We expect that for practical purposes they feel the same.)

2.   Now, with your eyes lowered or closed, with each breath you take; imagine that you are breathing through the palm of only one of them.  (For a more pronounced experience breathe through your non-dominant hand.)  Do this for five complete breaths, in and out.

3.  Now hold your hands up in front of you again, and quietly feel both of them.  Do they feel much the same, or different?

The difference that you probably feel between your hands is the result of having done a brief “breathing meditation” on your hand.   It is indicative of the gentle increase in energy that can occur by meditatively breathing through the thirteen sacred geometries, contained in lightSource.

How to Use the Sacred Geometries with Meditation
Once you have learned the basic process of systematically relaxing and energizing your body, mind and emotions you are ready to begin doing specific meditations on the thirteen sacred geometric forms in lightSource.

1.  Read all of the thumbnail descriptions and view all thirteen geometries.  See which of them appeal most to you.

2.  Choose what geometry to focus on:
-- A single geometry (for your first time we suggest the first of the series: Torus, due to its power to center and focus one’s consciousness.)
-- A series of geometries either programmed or in a random sequence.

3.  Choose what music to use:
-- Any Monroe Institute Hemi-Sync track would be perfect
-- Classical music such as Vivaldi, Mozart or Bach
-- A recording of singing Tibetan quartz bowls or bells
-- Recorded nature sounds
-- Shamanic drumming and/or chanting
-- Any instrumental track

You’ll be amazed at how the animated geometries seem to magically synchronize with absolutely any type of music. Have fun, experiment and try all your favorites. And remember…if you want to maximize the effects, breathe through the forms as you watch them. 

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Bibliography

Sacred Geometry Design Sourcebook, by Bruce Rawles (Elysian Publishing, Eagle Point, Oregon. 1997). intent.com

A Beginner’s Guide to Constructing the Universe: The Mathematical Archetypes of Nature, Art and Science—A Voyage from 1 to 10, by Michael S. Schneider (New York: Harper Collins, 1994).

The Ancient Secret of the Flower of Life: An edited transcript of the Flower of Life Workshop presented live to Mother Earth from 1985 to 1994, Vol. I and Vol. II, by Drunvalo Melchizedek, realized by Live Cherish.  (Flagstaff: Light Technology Pub., 2000)

Sedona: Beyond the Vortex: The Ultimate Journey To Your Personal Place of Power,by Richard Danneley Sedona, AZ: The Vortex Society, 1995 )

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lightSource was independently verified by Dr. Robert J. Gilbert, scientist and author of:

• The Seven Keys to Creation: Sacred Geometry and the Patterns of Life
• Sacred Geometry and the Initiation Secrets of the Great Spiritual School
• Egyptian and European Energy Work, Volume 1: Essential Knowledge
• Egyptian and European Energy Work,  Volume 2: Methods and Tools

Dr. Robert J. Gilbert has a multi-faceted background in both spiritual and scientific studies. He is a former U.S. Marine Corps Instructor in Nuclear-Biological-Chemical Warfare Survival; since leaving the service in 1985 he has conducted independent research into the Geometric basis of modern science and new technologies. Dr. Gilbert is also a Rosicrucian with more than 20 years of experience in Sacred Geometry and its hidden uses by the world's great spiritual traditions. His non-sectarian approach is inclusive of individuals from all spiritual traditions. Dr. Gilbert holds a Ph.D. in International Studies and is a published academic author in that field, contributing to the first academic textbook in the new field of Transformational Politics.

In 1997 Dr. Gilbert began for the first time to teach publicly the results of his two decades of intensive research. Today he teaches both publicly and privately in Asheville, NC. Dr. Gilbert also offers a small number of his VESICA series of special seminars throughout the United States every year. His recent speaking engagements include the keynote address to the American Society of Dowsers, guest speaker for the international Holographic Repatterning Association conference, and the Labyrinth Society Meeting. Website:  http://www.vesica.org/

PICASSO'S Use of CAMERA EXPOSES A NEW PICTURE into CUBISM and MODERN ART.........

picasso's cameraonly @ the museum of new art jan 7- feb 25 2006 A box camera belonging to Pablo Picasso at the start of the twentieth century has been unearthed with a roll of exposed film still inside. What was discovered, once that film was developed, is rewriting the history of modern art. PICASSO'S CAMERA EXPOSES A NEW PICTURE OF MODERN ART The indisputable genius of 20th-century art, Pablo Picasso stands as one of a handful of the most important artists in the whole history of Western art. Now, his pioneering work in photography is finally coming to light. Painter, sculptor, draughtsman, ceramicist, graphic and stage designer, born 1881 in Mádaga, Andalusia. At long last, with recent discoveries, Picasso has also emerged as a prolific photographer: documenting his own studio, creating photograms, and, most startling, pioneering his own cubist imagery by manipulating a broken camera. Picasso had begun to experiment with photography as early as 1901. Although little of it has survived, by the end of the decade, recent evidence reveals, that this new medium had taken a pervasive role in both his work and his working processes. His interaction with photography ranged from the amateur's enthusiastic snapshots of life in Paris, to simple records of his works in progress, to those seminal photographic experiments that helped point the artist toward cubism. By emphasizing Picasso’s riveting explorations with this new medium, we can now understand how the camera acted as a catalyst for what was to come in his evolution as a painter. It was with the camera given to him by his new friend Severini, with its cracked lens that distorted friends’ portraits, used in combination with a hand prism, that together helped lead Picasso toward the discovery of the first and most significant art movement of the 20th century. Explorations that resulted in the elegant geometrization of organic volumes through the use of a camera with its broken lens, then made all the more possible by a simple prism held over this camera lens that further cut everything into facet planes. While Picasso took quite seriously these experiments with sliced planes, his artist friends viewed the photographs as mild diversions. Picasso’s first transfer of these experiments onto canvas in 1907, Les Demoiselles d’Avignon, was met with similar jokes and derision by his artist friends. “Matisse and Apollinaire have paid me a visit but left without understanding a thing. Even less than favorable reactions from Braque as well. Matisse advised me to take up caricature. No one understands a thing and they laugh! Derain has spoken to me about it as well, adding that one day they would all find me hanged behind ‘that painting’ of mine.” It is known that before mid-October Gertrude Stein went to the Bateau-Lavoir with Alice Toklas. Her reaction, however, is not known. But she did write that Picasso's studio was then becoming "a kind of laboratory". Edward Steichen views the photos on a studio visit and sends several to Steiglitz. Two are published in Cameraworks. Steichen would later say: "The images were like the meeting of a shepherd and a mermaid on the trunk of a Buick.” In May 1909 Picasso left for Horta de Ebro with the benefit of this experimentation. Very significantly, he took advantage of a stop in Barcelona to photograph and paint a delicately geometrized portrait of his old friend Manuel Pallares, executed with vibrant, broken-facet strokes. In this portrait Picasso is obviously seeking an objective way to synthesize the forms he had discovered with the camera. His working principle was: 'One must do everything on the condition that one never does it again. Once Cubism was firmly established, after 1916 Picasso’s camera seems to lose its importance in his daily work.   Dora Maar In 1932, however, he befriended the great French photographer Brassai. Picasso's interest in photography and the photographic process was quickly revived. Over the next few years, the two worked on a series of etched and painted photographic plates that would deliver a new body of work. Picasso also took as his lover the already famous surrealist photographer Dora Maar in 1936. Their relationship would last ten years. His last ambitious photographic project was created thirty years later, the series of photo-lithographs entitled Diurnes (1962), created in collaboration with the French photographer André Villars. When he died on April 8, 1973, at his chateau in Mougins, his friend the French art critic and political activist, Andre Malraux was invited by Picasso's widow, Jacqueline Roque, to have a last look at his collection of "junk". Malraux mentions discovering “in the mess” of Picasso’s studio a small tin box with early photographic experiments. We can only assume these are the few surviving photographs taken with Severini's broken camera. Malraux later writes in his memoirs, recalling them as “diversions”, and advises Jacqueline they are of no real value, adding: "Obviously nature has to exist so that we may deride it." Severini’s camera, a roll of film still secretly undeveloped inside, was once again viewed as a broken toy. The old photos and camera were tossed  out on the estate's curb where a ragpicker from Mougins, Lucien Leclerq, discovered them and sold the bunch at the village flea market. The broken camera, brittle stack of negatives and several discarded drawings eventually found their way into the hands of Swedish collector Peter Hallstrom. Hallstrom, guessing their importance, then directed the Bergen University professor Dr Åke Neilsen and his team of assistants to supervise the meticulous task of bringing them all back to life. The astounding results of these efforts have changed art history forever and may now be viewed by the public for the first time at the Museum of New Art, with the exclusive American engagement of PICASSO'S CAMERA.

           Some personal thoughts on success...

Everyone measures success by comparing someone with someone else. 
Artists are trying to compare themselves with other artists to determine if they are successful or not. 
People who claim they can help you be successful are comparing one artist with another, or with some quantitative formula they invented.Don't buy it.

Each artist is totally unique and should not compare himself to any one else. One thumb print looks like another thumb print, yet those small differences is what counts.

       Advertizing + Marketing = Cosumerism 
 Heavy marketing, a speculative manipulation and big hype have created the bubble we are in. Art Biz is not regulated , therefore driven by speculation and big Corporate fronts, like junk bonds their future is precarious & uncertain.
   A lunatic, mad's man market manipulation mentality drives & controls the planet.

Have lots of integrity.

 There are  many books on how to succeed in the art world, and  what they really do, is create more of the wrong approach to art making , adding more fuel to the existing fire. 

 An important factor/ingredient an artist has to have and cultivate , to be a true artist, is his CALLING, a the  consciousness  that drives and guides the spirit of the artist thru thick and thin from deep down the Soul from begining to end


Who Decides Your Success? There is no one-size-fits-all measure of success for an artist. You have to determine your success by setting your own goals, as Setting goals is important. Achieving goals gives the artist confidence and motivates  and stimulates his juices.

 Most importantly, do not measure yourself with others. Don't compare. Be your own measure of success with your own qualification and quantification. 

Measuring success by how many pieces you sold, or how much money you made, is important. But there are more important satisfactions from producing quality work, as our inner  lives are so much more  meaningful than numbers.


Moreover, no one else should determine your success but you. Decide for yourself what success is and work for it. Don’t compare yourself with others and what they are doing. 
Yes, it is good to listen, read, and learn from others. That’s how we grow. Seek help if you need to. Surrounding yourself with the right kind of people is going to make your life better, but don’t let others decide what success is.

I practice the wisdom and vision indigenous people around the globe have for Mother Nature.They revere ,love and respect even the minutest critter. I love the spirituality as practiced by most  north american indians.

Landscapes, Sunsets and Abstraction. The Atmospheric almost abstract Landscape Paintings of W.M: Turner, influenced artists of many generations and schools.

 Sunsets, desolate desert landscapes, views from top of  mountains, and other landscapes  have always fascinated me
.My Soul Lights up in delight when I am watching an incredible sunset.  When I prescence this kind of  Spectacular light show my Feelings & Emotions, flare and  stir up  my creative juices and  I get  Charged from the mere Spectacle plus the  intensity of  the colorss. I love the Shapes and  silhouettes forming, as light diminishes. Dark  figures  contrast  passionate reds, oranges ,hot pinks, violets - all the way to dark blue grays -and blacks.Poetic and ephemeral, cosmic....
 Clouds + wind -yield incredible visual textures.
 The color and tonal changes during a Sunset -Sunrise, are like the act of  painting itself,  as the experience of moving  paint around a canvas and mixing itself with other colors, the  experience is similar as   when watching a sunset visually.  Light slowly fading  and  blending into the darkness of  night.

You were recently chosen as a potential candidate to represent your professional community in the 2014 Edition of Covington Who's Who.

We are pleased to inform you that your candidacy has been formally approved. Congratulations!

The Publishing Committee selects potential candidates based not only on their current standings, but also focusing on criteria from professional directories, associations, and trade journals. The Director believes your profile makes a fitting addition to our publication.

  

The series of assemblages/constructions on the Escalera Buses began in 1973., after returning to Medellin  from a decade of studies and travels in the US, Puerto Rico and the Caribbean.Winning a four  year Art  Scholarship to the University of Miami.

 In 1979, I showed three large bus constructions, that won  a First Prize National at the Museo de Antioquia, in Medellin. Fernando Botero was in town at the time of the event and liked my work a lot, so he left word with the Museum Director saying he wanted to meet me, which was a great honor and surprise. We had a great meeting and conversations in Bogota, at his brother's house. 

Materials used:

They are made of a wooden frame & support  covered with thin zinc sheet metal, mirrored and painted glass, electric hardware, industrial enamel paints and laquers. metal ladders  + other hardware.  
I worked on the series all the way to 1980, two months before show at the Colombo -American Center Art Gallery in Bogota, Colombia, Sponsored by the US Embasy in Colombia.
Thanks to US GOVT: World Wide Information Service and mass articles in all media at the time put me on the map.   

Welcome  back to my Blog.

 I wish all my viewers and friends a very Happy Holiday Season and a New Year 2015 !

For over two years, I was away from my blog for several reasons I wont get into.

 I have set a goal, to photograph my  art work which is a very laborious job.

I promise to then post the  images of recent work along  with some  documents of importance in my career as an artist.

I still  have great documentation on certain phases of my career that I want to share with the public.